As an award-winning photojournalist and part of the Bang-Bang Club, Greg Marinovich has covered war and conflict all over Africa and the world. In Shots From The Edge he recounts his experiences in these conflict zones, recalling interviews with the perpetrators and the victims of violence, from rebels, child soldiers and terrorists to peacekeepers, aid workers, rape survivors, orphans and amputees. The book takes the reader throughout South Africa, and to Angola, Mozambique, Somalia, Rwanda, Bosnia, Chechnya, Palestine and many other contested zones.

With compassion and care, Marinovich documents more than two decades’ worth of turbulent history and reveals the people involved in the conflict. Some of the moments are deeply moving and profound; others so surreal as to blur into insanity. From coming under fire with United Nations peacekeeping troops in the Lašva Valley and being escorted around Mogadishu by a crew of gunmen for hire, to running through the streets of Johannesburg as Inkatha and the ANC face off at Shell House, the reader is exposed to people, places and experiences that would otherwise be difficult to comprehend.

The accounts in Shots From The Edge are at once insightful, tragic, shocking and occasionally humorous, but above all they are a poignant reminder of the brutality and indignity of war, and man’s capacity for cruelty.

'The Bang-Bang Club' was a group of four young photographers, friends and colleagues, Ken Oosterbroek, Kevin Carter, Greg Marinovich and Joao Silva, who covered the last years of apartheid, taking many of the photographs that encapsulate the final years of white South Africa. Two of them won Pulitzer Prizes for individual photos. Ken, the oldest and a mentor to the others, died, accidentally shot while working; Kevin, the most troubled of the four, committed suicide weeks after winning his Pulitzer for a photograph of a starving baby in the Sudanese famine. Written by Greg and Joao, The Bang-Bang Club tells their stories, the story of four remarkable young men, the stresses, tensions and moral dilemmas of working in situations of extreme violence, pain and suffering, the relationships between the four and the story of the end of apartheid. An immensely powerful, riveting and harrowing book.

An award-winning investigation that has been called the most important piece of journalism in post-apartheid South Africa, Murder at Small Koppie delves into the truth behind the massacre that killed thirty-four platinum miners and wounded seventy-eight more in August 2012 at the Marikana platinum mine in South Africa's North West province. News footage of the event caused global outrage; however, it captured only a dozen or so of the dead. Here, Pulitzer Prize-winner Greg Marinovich focuses on the violence that took place at Small Koppie, a collection of boulders where a second massacre took place off-camera and in cold blood. Combining his own meticulous research, eyewitness accounts, and the findings of the Marikana Commission of Inquiry, Marinovich has crafted a vivid account of the tragedy and the events leading up to it. By taking readers into the mines, the shacks where the miners live, and the boardroom, Marinovich puts names, faces, and stories to Marikana's victims and perpetrators. He addresses the big questions that any nation must ask when justice and equality are subverted by conflicts around class, race, money, and power, as well as the subsequent denial and finger-pointing that characterized the response of the mine owner, police, and government. This is a story that is both stirring and accurate.